Citation

Abdelazim A. Anthropology of the Middle East 2021; 16(2): 57-74.

Copyright

(Copyright © 2021)

DOI

10.3167/AME.2021.160203

PMID

unavailable

Abstract

By examining mahragānāt, a genre of music common among the lowincome working class in Cairo, and upper-class pop music, this article studies the expression of love and grief across socio-economic classes in Egypt. It challenges the mainstream argument that men, especially those belonging to lower socioeconomic classes, are expected to perform 'like men' and suppress their emotions and affection. These mahragānāt exhibit extreme affection and grief as men threat of inflicting self-harm or committing suicide if they lose their female lovers. This genre's popularity on social media resonates with increasing suicide rates among lower socio-economic classes due to failed love affairs. By focusing on expressions of love in Egyptian music, this article suggests a dialectic relation between love, class and the understanding of masculinity © The Author(s)

Language: en

Keywords

Music; Masculinity; Love; Egypt; Lower working class; Upper class