Citation

Taylor C. Culture, Theory and Critique 2015; 56(2): 187-207.

Copyright

(Copyright © 2015)

DOI

10.1080/14735784.2014.937820

PMID

unavailable

Abstract

Michel Foucault argues that it is not sex but death that is the true taboo in the modern, biopolitical era. The result is that regular death has been privatised and institutionalised, wars are waged in the name of life, capital punishment has become a scandal, and suicide has become a problem for sociological and psychiatric analysis rather than law. In contrast to the dominant view, Foucault portrays suicide not as a mark of pathology but as a form of resistance (tragic or pleasurable) to disciplinary power, and argues for an aestheticisation of voluntary death as part of a beautiful life. Through a reading of the writings of Québecoise author Nelly Arcan, this essay presents but also critiques and expands upon Foucault's accounts of suicide, exploring the thesis that the pathological model of suicide produces the subjects that it intends to treat. © 2014 Taylor & Francis.

Language: en