Citation

Yazicioǧlu S. Word and Text 2014; 4(1): 40-52.

Copyright

(Copyright © 2014)

DOI

unavailable

PMID

unavailable

Abstract

This article analyses Chuck Palahniuk's Survivor as an example of transgressive fiction, with a special emphasis on the author's style and method of rewriting and violating the conventions of the disaster narrative. As a transgressive novel, Survivor not only mirrors and comments on the social change of its time, but also betrays a specific literary subversion that moves it beyond the postmodern by its dialogue with American literary minimalism as well as popular culture. The novel is a first-person narration of Tender Branson, who is a suicide cult survivor, a servant, a pro-suicide advisor, a religious media celebrity, and a hijacker. Through the subversion of the disaster genre, Survivor emphasizes the perpetuity of the crisis, and presents storytelling as the final act of survival from the commodification of his life.

Language: en

Keywords

Postmodernism; Consumer society; Blank fiction; Chuck Palahniuk; Transgressive fiction