Citation

Currell S. Modern Drama 2013; 56(3): 327-351.

Copyright

(Copyright © 2013)

DOI

10.3138/md.0543

PMID

unavailable

Abstract

Asserting that the Wall Street Crash was a drama staged in the public arena of the early 1930s, this essay examines the context and performance history of the poet Archibald MacLeish's verse drama about the suicide of a banker, Panic: A Drama of Industrial Crisis (1935). The play is one of very few representations onstage of the banking crash of 1933 and marks a turning point in the politics of both the writer and his audience. Looking through the prism of contemporary reviews, letters, and memoirs from the era, the article pieces together historical fragments about this play and its performances to explain how a liberal, pro-capitalist writer, such as MacLeish, came together with the Marxist critics of the New Masses magazine to create a historic final-night performance of his now-forgotten play.

Language: en

Keywords

Archibald MacLeish; Banks; New Deal liberalism; New Masses