Citation

Liska V. Eur. J. Womens Stud. 2000; 7(1): 91-101.

Copyright

(Copyright © 2000, SAGE Publishing)

DOI

10.1177/135050680000700106

PMID

unavailable

Abstract

When the French philosopher Sarah Kofman committed suicide in 1994 she left behind an impressive oeuvre in which both the autobiographical genre and the treatment of women play a central role. Her theoretical reflections on both topics situate themselves in the interstices between psychoanalysis, feminism and deconstruction and share a common concern: the respect of alterity in all its guises. Kofman's resistance to the authoritative claim of the retrospective closure underlying traditional autobiographies is closely related to her celebration of an écriture parricide, a mode of writing which undoes the repression of multiplicity and otherness. Shortly before her death Kofman published an autobiographical account of her own childhood years after the deportation and death of her father in a concentration camp. This article addresses the striking discrepancies between the theoretical positions Kofman defends throughout her philosophical writings and the autobiographical turn of her own last words.

Language: en

Keywords

Female autobiography; Holocaust; Memoirs; Memory; Sarah Kofman; Theory