Citation

Stobie C. Current Writing 2017; 29(2): 79-88.

Copyright

(Copyright © 2017)

DOI

10.1080/1013929X.2017.1347421

PMID

unavailable

Abstract

Can Themba's iconic story, "The Suit" (1963), tells of a devastating punishment visited upon an adulterous wife, Matilda, by her husband, Philemon. This article begins by examining some implications of Themba's story and touching on subsequent adaptations that have re-imagined this haunting tale from various perspectives. I then move on to consider two stories by Makhosazana Xaba (2013) which add significant elements to the original fable. "Behind 'The Suit'" is written in epistolary form by Philemon's dying male lover to his daughter, thus queering the narrative. "'The Suit' Continued: The Other Side" is recounted in first-person narration by Matilda, after her suicide. It delineates the affair between Matilda and another woman, and their plan to have a baby, adding further queer temporalities. Citing theorists of queer and bisexual temporalities, I provide a close reading of the effects Xaba creates in her re-fashionings of Themba's Ur-text. I argue that both stories critique hetero-patriarchy; they queer marriage, procreation, Sophiatown, black communities and the South African nation; and they contribute meaningfully to postcolonial queer writing and reading. © 2017 The Editorial Board, Current Writing.

Language: en

Keywords

“The Suit”; Can Themba; Makhosazana Xaba; postcolonialism; queer temporalities; re-visioning