Citation

Avila B. Humanities (Basel) 2022; 11(4): e91.

Copyright

(Copyright © 2022, MDPI: Multidisciplinary Digital Publications Institute)

DOI

10.3390/h11040091

PMID

unavailable

Abstract

Resonating with British and American audiences and inspiring many later pirate stories, Byron’s The Corsair (1814) participated in a transatlantic conversation about female responses to violent masculinity. In an 1869 Rhode Island newspaper article, a woman recalled reading The Corsair as a child and debating whether to name her favorite doll Medora, the wife of the pirate, or Gulnare, the woman who kills their captor to rescue the pirate. Within the poem, Gulnare becomes less desirable in the eyes of the pirate after her violent act, but S. H. W. decides on Gulnare and sews on a needle-like bodkin to represent her dagger, thereby providing her doll with the symbol of Gulnare’s violent agency. This particular reader response suggests that Gulnare’s violent and independent action, which gave her control over her situation, resonated with some female readers in America. Authors of early American pirate stories, such as James Fenimore Cooper, refused to endorse a model of womanhood that included violence. However, Ballou’s extremely popular FannyCampbell (1844) constructed a lady pirate who embodies a model of womanhood that incorporates some conventional feminine traits of virtue, moral influence, and redemptive womanhood, but also draws on the justified violence of the male adventure hero. As a female pirate captain, Fanny combines aspects of the honorable gentleman pirate from The Corsair with the active woman, not unlike Gulnare, who realizes that in certain situations redemption and rescue are not options, and she must use violence in defense of herself and others.

Language: en