Citation

Bayer G. Philos. Technol. 2022; 35(1): 15.

Copyright

(Copyright © 2022, Holtzbrinck Springer Nature Publishing Group)

DOI

10.1007/s13347-022-00499-2

PMID

unavailable

Abstract

This commentary argues that, in discussing the racial and cultural identities of cinematic representations of humanoid AI robots, nuances and differentiations are beneficial. It suggests that the essay on which the present text comments does not sufficiently acknowledge the range of identities found in AI films, in particular in Alex Garland's Ex Machina (2014).

Language: en

Keywords

AI ethics; Cinema and robots; Ex Machina (film); Racism