Citation

Nile R. M/C J. 2020; 23(2): e1613.

Copyright

(Copyright © 2020, Digital Media Research Centre, Queensland University of Technology)

DOI

unavailable

PMID

unavailable

Abstract

Hundreds of thousands of Australian children had been born in the shadow of the Great War to men who enlisted between 1914 and 1918. The lives of these children could be and often were hard and unhappy, as Anzac historian Alistair Thomson observed of his own father's experiences as the son of a returned serviceman who had been in and out of repatriation hospitals during the 1920s and 1930s (257-259) and who became erased from family stories (299-267). These children of trauma fit within a pattern suggested by Marianne Hirsch in her influential essay "The Generation of Postmemory." According to Hirsch "Postmemory describes the relationship of the second generation to powerful, often traumatic, experiences that preceded their births but that were nevertheless transmitted to them so deeply as to seem to constitute memories in their own right" (np). This paper attempts to situate George Johnston's novel My Brother Jack (1964) within the context of postmemory narratives of violence that were complicated in Australia by the Anzac Legend which occluded any too open discussion about the extent of war trauma present within community, including the children of war.