Citation

Emig R. Men Masc. 2019; 22(3): 516-528.

Copyright

(Copyright © 2019, SAGE Publishing)

DOI

10.1177/1097184X18768392

PMID

unavailable

Abstract

This essay proposes that terrorism manifests itself in a relation that encompasses masculinity as well as the media. The origin of this relationship is the joint performativity of gender and acts of terror. This makes terrorism an instrument of social and political change. But in order to legitimize themselves, terrorism as well as masculinity require authorization by a phantasmagorical power. Drawing on the dominance of males among terrorists, this essay will look at an early depiction of terrorism in Conrad's The Secret Agent, a contemporary representation in Sahota's novel Ours Are the Streets and terrorism's real manifestation in the Paris carnage of November 2015. It will show that in the desire to satisfy an imagined "higher authority" and thereby assert an individual as well as political identity, masculinity and terrorism share a performative root. This also suggests a possible way of exposing and exploding terrorism and masculinity from within, by feeding into the mediated stream of its representations images and ideas of inferiority, ridicule, and failure.

Language: en