Citation

Aprahamian S. J. Black Stud. 2019; 50(3): 298-315.

Copyright

(Copyright © 2019, SAGE Publishing)

DOI

10.1177/0021934719833396

PMID

unavailable

Abstract

It is commonly assumed that hip-hop was born when street gangs in the Bronx, New York, channeled their energy from violence and crime to music and artistic expression. I critically interrogate this dominant narrative through an examination of the influential book Yes Yes Y'all: The Experience Music Project Oral History of Hip-Hop's First Decade (hereafter "YYY"). Drawing from the original interview transcripts used for YYY, I compare the gang-origin narrative espoused in the book with the primary accounts of early hip-hop practitioners featured within it. Special attention is given to the divergences between the two sources, demonstrating how the claim that hip-hop came from gangs is unsubstantiated by relevant interviewee accounts. I discuss how the prevalence of this false narrative in studies of hip-hop history overall is part of a broader historic pattern of associating working class African American culture with criminality.

Language: en