Citation

McWilliam K, Bickle S. Continuum J. Media Cult. Stud. 2017; 31(5): 706-713.

Copyright

(Copyright © 2017, Informa - Taylor and Francis Group)

DOI

10.1080/10304312.2017.1315928

PMID

unavailable

Abstract

The Book of Revelation focuses on modern dancer Daniel's (Tom Long) abduction by three masked women. As its biblical title suggests, Daniel experiences a personal apocalypse: he is chained naked to a floor, raped and, on release, embarks on a violent quest to find his attackers. In this article, we discuss the film as the site of two distinct, but interwoven re-imaginings. First, we discuss the film as a re-imagining of the rape-revenge genre through its reversal of gendered norms: its replacement of a female rape victim with a male, and male perpetrators with females. Second, drawing on Sara Ahmed's interdisciplinary notion of Queer Phenomenology, we examine the implications of this gendered shift in terms of its depiction of the experience of rape. We argue that the film's focus on the vulnerable heterosexual male body and its privileging of spatial relations presents rape as a trauma of disorientation in which the victim is unable to reassert control, to achieve stability, even after release. Ultimately, we argue that the film can be read as a critique of its own genre and an intervention into ways of understanding the experience of rape.

Language: en