Citation

Kufakurinani U, Mwatwara W. Afr. Confl. Peacebuild. Rev. 2017; 7(1): 33-50.

Copyright

(Copyright © 2017, Africa Peace and Conflict Network; West African Research Association, Publisher Indiana University Press)

DOI

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PMID

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Abstract

Zimbabwe has recently been facing serious challenges and threats to its peace and security as a result of deepening economic crisis. Civilians have taken to the streets and the first half of 2016 was characterized by protests. The crisis has its roots deeper in Zimbabwe's postcolonial history, escalating with the adoption of a controversial land reform program in 2000. From hyper-inflation in 2008, the nation turned to a serious liquidity crunch within eight years. The situation has not been helped by growing unemployment, informalization of the economy, and a polarized political landscape. The population has thus been exposed to both structural and system violence. In addition to macro violence, there are growing youth subcultures that feed into violence in Zimbabwe. One notable example is Zimdancehall, which has become a major artistic and musical phenomenon in the country. This article examines the way Zimdancehall adds another layer of violence to Zimbabwe. In particular, we focus on the micro aspect of Zimdancehall violence and the missed opportunity for this music genre to become an instrument for peacebuilding.

Language: en