Citation

Redmond P. Am. J. Econ. Sociol. 2017; 76(2): 280-310.

Copyright

(Copyright © 2017, John Wiley and Sons)

DOI

10.1111/ajes.12177

PMID

unavailable

Abstract

The ability to use movies that tell persuasive stories is a powerful tool, particularly if it is consciously used to legitimize war, assassination, and illegal activities and to undermine the core principles of democracy. The U.S. Central Intelligence Agency (CIA) and the U.S. military have made use of that tool for almost a century, starting with the War Department's quiet support for the movie Birth of a Nation in 1915 and continuing for a century, including such recent CIA-supported products as Homeland, The Agency, The Recruit, and many less likely movies and television shows. During World War II, this sort of propaganda was openly distributed, since there was a widespread consensus in support of that war. However, state-sponsored propaganda in the form of Hollywood movies continued throughout the Cold War up to the present. The production of movies that completely distorted the political meaning of George Orwell's and Graham Greene's novels were important examples of this practice. CIA involvement was covert, since the target audience was the American public and the ideological perspective being propagated often ran counter to democratic ideals. This article recounts the history of the process by which Americans came to accept the ideas continuously promoted by the government, often without knowing that their favorite movies and television shows had been vetted or even altered by agents of the CIA or the Pentagon. Since these practices violate federal laws, the public at least has a right to know that we are being subjected to this sort of propaganda and how much tax money is spent to produce entertaining forms of disinformation.

Language: en