Citation

Cummins I, King M. Policing Soc. 2017; 27(8): 832-846.

Copyright

(Copyright © 2017, Informa - Taylor and Francis Group)

DOI

10.1080/10439463.2015.1112387

PMID

unavailable

Abstract

Policing is widely recognised as one of the most stressful occupations. Numerous studies have explored the ways in which stress impacts on the personal and professional lives of officers. Using this literature as context, the article explores the way in which representations of policing in film and TV have changed to reflect this issue, to the point where the predominant mode of representation is the dysfunctional officer broken by the job. Using bricolage as a research approach, three twenty-first-century examples are examined; Wallander from Sweden, The Wire from the US and Red Riding from the UK, raising questions about the dystopian pleasures of these media texts with a suggestion of further work to explore the relationship between representations and the reality of the stresses of policing.

Language: en