Citation

Parisot E. Eighteenth Century Stud. 2014; 47(3): 277-291.

Copyright

(Copyright © 2014, American Society for Eighteenth-Century Studies, Publisher Johns Hopkins University Press)

DOI

10.1353/ecs.2014.0016

PMID

unavailable

Abstract

By the mid-eighteenth century, the suicide note had emerged in Britain as a powerful literary tool in the secularization of self-murder. The increasing publication of such notes in the popular press afforded suicides a final and very public opportunity for self-fashioning. This essay draws upon examples (from the mid-century to the publication of Goethe's Werther in Britain) to examine the ways suicidal authors drew upon and instigated networks of popular sensibility as part of this process, publicly exposing the duality of sensibility (as both moral faculty and a pathological condition) and its potential social implications when circulated via the press.

Language: en