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Citation |
Browne N, Webb T, Fisher K, Cook B, McArthur DL, Peek-Asa CL, Kraus JF. J. Interpers. Violence 2002; 17(4): 351-370. |
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Copyright |
(Copyright © 2002, SAGE Publishing) |
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DOI |
unavailable |
PMID |
unavailable |
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Abstract |
This article profiles the violence that occurs in the films that compose the most popular (top-grossing) genres of 1994: comedy, drama, and action. The critical features used to describe film violence are intentionality, frequency, seriousness, consequences, explicitness, and severity (damage to the body of the recipient). Scales for seriousness, explicitness, and severity were systematically applied to the films using frame-by-frame analysis. Although the initiators of violence in American films employ lethal violence in nearly half the violent events, depiction of any consequences to the recipient's body occurs in 1 out of 10 cases. Throughout, the effects of violence on the victim's body are mystified by a form of narrative that occults and minimizes consequences arising from clearly depicted intentional assaults. So far as violence is concerned, the Hollywood body is an impossible one, merely a dramaturgical figure. (Abstract Adapted from Source: Journal of Interpersonal Violence, 2002. Copyright © 2002 by SAGE Publications) |