Citation

James CE, Michel CM, Britz J, Vuilleumier P, Hauert CA. Hum. Brain Mapp. 2012; 33(12): 2751-2767.

Affiliation

Geneva Neuroscience Center, University of Geneva, Switzerland; Faculty of Psychology and Educational Sciences, University of Geneva, Switzerland. Clara.James@unige.ch.

Copyright

(Copyright © 2012, John Wiley and Sons)

DOI

10.1002/hbm.21397

PMID

21932257

Abstract

To examine how musical expertise tunes the brain to subtle metric anomalies in an ecological musical context, we presented piano compositions ending on standard and deviant cadences (endings) to expert pianists and musical laymen, while high-density EEG was recorded. Temporal expectancies were manipulated by substituting standard "masculine" cadences at metrically strong positions with deviant, metrically unaccented, "feminine" cadences. Experts detected metrically deviant cadences better than laymen. Analyses of event-related potentials demonstrated that an early P3a-like component (∼ 150-300 ms), elicited by musical closure, was significantly enhanced at frontal and parietal electrodes in response to deviant endings in experts, whereas a reduced response to deviance occurred in laymen. Putative neuronal sources contributing to the modulation of this component were localized in a network of brain regions including bilateral supplementary motor areas, middle and posterior cingulate cortex, precuneus, associative visual areas, as well as in the right amygdala and insula. In all these regions, experts showed enhanced responses to metric deviance. Later effects demonstrated enhanced activations within the same brain network, as well as higher processing speed for experts. These results suggest that early brain responses to metric deviance in experts may rely on motor representations mediated by the supplementary motor area and motor cingulate regions, in addition to areas involved in self-referential imagery and relevance detection. Such motor representations could play a role in temporal sensory prediction evolved from musical training and suggests that rhythm evokes action more strongly in highly trained instrumentalists. Hum Brain Mapp, 2011. © 2011 Wiley-Liss, Inc.

Language: en