Citation

Domingo A. Popul. Dev. Rev. 2008; 34(4): 725-745.

Copyright

(Copyright © 2008, Population Council, Publisher John Wiley and Sons)

DOI

10.1111/j.1728-4457.2008.00248.x

PMID

unavailable

Abstract

Dystopian fiction, stories envisioning dire human futures, originated with the novels of H. G. Wells and others a century ago. “Demodystopias” are a subgenre of dystopias where the imagined futures derive from demographic change, taken perhaps to an extreme: the population explosion, aging and depopulation, mass migration, global epidemics, and the eugenic possibilities of new reproductive technologies. This essay traces the genealogy of demodystopias over the twentieth and early twenty-first centuries. Their themes reflect the demographic issues of the day: fear of overpopulation in the “population bomb” era; later, threatened societal senescence or swamping by immigrants under ultra-low fertility; new reproductive regimes under genetic engineering; and the geopolitics of demographic change. As with other dystopias, demodystopias seek to identify present-day negative tendencies that might lead to a future theatrum diabolorum—and to pin responsibility for such an outcome on ourselves. Authors discussed include Margaret Atwood, Anthony Burgess, Günter Grass, Michel Houellebecq, José Saramago, Lionel Shriver, and Kurt Vonnegut.