Citation

Rafter N. Theor. Criminol. 2007; 11(3): 403-420.

Copyright

(Copyright © 2007, SAGE Publishing)

DOI

10.1177/1362480607079584

PMID

unavailable

Abstract

This article aims at giving crime-film research a stronger sense of purpose by asking: How do crime films relate to criminology? Using the example of recent films about sex crimes, I argue that crime films should be conceptualized as an aspect of popular criminology, and popular criminology as an aspect of criminology itself. If we define criminology as the study of crime and criminals, it becomes clear that film is one of the primary sources through which people get their ideas about the nature of crime. Some of those ideas echo academic criminology, while others bring to bear ethical, philosophical and psychological perspectives beyond the scope of academic research. By recognizing that popular criminology is integral to criminology, we can invigorate the study of crime films—and criminology itself.