Article Title,Year,Volume,Issue,Page Range,Author
In Praise of the Anecdote or Gaming for Columbine,2009,10,1,158-161,Thomas
Michael Mann's Miami Vice,2009,10,2,195-215,Stratton
Liberating Bicentennial America,2009,10,5,434-454,Clark
Moderating the Extreme: The Role of Vladimir Pozner’s Vremena in Russian State Television Responses to the Rise of Xenophobia,2011,12,1,23-45,Miazhevich
Politics and Intimacy,2000,1,2,159-178,Hamburger
Nonprofit Organizations' Perceptions and Uses of the Internet,2008,9,5,407-428,Kenix
Cultural Identity: Between Reality and Fiction,2005,6,4,407-414,Pérez
Alcohol Product Placements and the Third-Person Effect,2011,12,5,412-440,Shin
The Mourning After: A Case Study of Social Media in the 3.11 Earthquake Disaster in Japan,2011,12,6,552-559,Hjorth
The Fall and television noir,2017,18,1,58-75,Steenberg
Genres of rape and putting rape into genre: sexual violence and TV after #MeToo,2023,ePub,ePub,ePub,Dango
Of social networks and suicide nets: biopolitics and the suicide screen,2017,18,6,513-528,Reeves
#RelationshipGoals? Suicide Squad and Fandom's Love of "Problematic" Men,2020,21,2,135-150,Salter
Death and the Spectacle in Television and Social Media,2020,21,1,3-24,Stratton