Article Title,Year,Volume,Issue,Page Range,Author
Parody and metafictionality as defamiliarization devices in Martin Amis's novel money: A suicide note,2021,12,35,45-61,Gami
Revisiting Ibsen's hedda gabler through Durkheim's sociological suicide: A body to end the doom of organic solidarity,2021,,33,83-99,Oroskhan
T.S. Eliot and Emile Durkheim: sacred and profane in "The Love Song of J. Alfred Prufrock",2022,13,39,31-46,Oroskhan
From wedlock to deadlock: Madame Bovary's path toward self-destruction,2023,,45,275-291,Esmailzadeh