@article{ref1,
title="'I am a very ancient animal, I'll be too a female suicide bomber' or the History according to Tatiana Pequeno",
journal="Veredas",
year="2022",
author="Martinez, L.T.",
volume="",
number="37",
pages="187-195",
abstract="&quot;The Laugh of the Medusa&quot; (1975) and the critique of progress and History present in Walter Benjamin thought, this article reads three poems of Brazilian poet Tatiana Pequeno: &quot;museu nacional&quot;, &quot;museu nacional.2&quot; and &quot;querida&quot;, all of them extracted from her book Onde estão as bombas (2019). The hypothesis is that if one perceives feminine writing as an articulation of a singular kind of temporality that both induces breaks in homogenizing history and engenders potentially transforming appointments between personal and collective histories, one can - then - classify feminine writing as modes of rewriting History. In that way, they can be seen - along with Walter Benjamin - as revolutionary. This word identifies in Tatiana Pequeno's poetry those echoes of revolution, this ruptures in History. © 2022 Veredas. All rights reserved.<p /><p>Language: pt</p>",
language="pt",
issn="0874-5102",
doi="10.24261/2183-816x1437",
url="http://dx.doi.org/10.24261/2183-816x1437"
}